The Al Durah blood libel

Melanie Phillips

 

This article first appeared on November 14, 2007 in The Spectator.

 

I am in Paris where I have attended the Court of Appeal special session called to witness the 27 minutes of hitherto unseen footage of the ‘killing’ of Mohammed al Durah which the court had required France 2 to produce. For readers who are unfamiliar with this scandal, I wrote about it here, here and here.

 

Suffice it to say here that the iconic image of the child Mohammed al Durah, pictured crouching with his father behind a barrel next to a concrete wall in an apparently vain attempt to shelter from the gun-battle between Israel and the Palestinians that was raging around them before he was allegedly shot dead by the Israelis, served to incite terrorist violence and atrocities around the world after it was transmitted by France 2 at the beginning of the second intifada. Yet it is clear to anyone looking at this in detail that the whole thing was staged, not least from the devastating evidence here which shows the boy raising his arm and peeping through his fingers seconds after the France 2 correspondent Charles Enderlin said he had been shot dead.

 

After Philippe Karsenty, founder of the French online media watchdog, Media Ratings, accused France 2 of staging the al Durah ‘killing’ and called for the resignation of both Charles Enderlin and France 2’s News Director, Arlette Chabot, France 2 and Enderlin sued Karsenty for defamation, and won. In a disgraceful piece of judicial cronyism after the gratuitous intervention of the then French President Jacques Chirac, the court decided against Karsenty and in favour of France 2 and Enderlin. Karsenty appealed; the judge ordered France 2 to produce the unscreened footage of this incident; today it did so.

 

Well, sort of. What it actually produced was 18 minutes out of the 27 it was required to bring forward. From this footage, which according to France 2’s Palestinian cameraman was filmed during an implausible 45 minutes of continuous shooting by Israeli soldiers, there is no evidence that anyone at all was killed or injured — including Mohammed al Durah who by the end of the frames in which he figured seemed to be still very much alive and unmarked by any wound whatsoever.

 

The drama of today’s hearing was enhanced by the appearance of Enderlin himself, who until today had not graced this case with his presence. As the film was shown to a packed and overheated (in every sense) courtroom, Enderlin and Karsenty offered rival interpretations of the images on the screen. If Enderlin thought he would thus demonstrate the inadequacy of Karsenty’s case, he was very much mistaken. On the contrary, parts of his commentary were so absurd that the courtroom several times burst into incredulous laughter.

 

Enderlin offered only a vague, rambling and unconvincing explanation of why he had only produced 18 minutes of footage rather than the 27 he claimed to have received from his cameraman in Gaza (Enderlin himself was not in Gaza when these events occurred). After the hearing Professor Richard Landes, one of the people who had already seen the contested footage, said that two scenes had been cut out which clearly showed that the violence had been staged — including one in which a Palestinian preparing to throw a missile is suddenly picked up and carried into an ambulance despite showing no signs of injury. This scene, said Landes, was filmed by Reuters, who actually filmed the France 2 cameraman filming it. Yet there was no sign of it today.

 

What struck me very forcibly about the 18 minutes overall was that, although this was supposed to have been filmed during continuous firing by the Israelis for 45 minutes, much of the footage consisted merely of a violent demonstration by stone throwing youths, many of whom who appeared to be enjoying the exercise. One child was pictured riding a bicycle through the melee. There was no evidence of any of them being killed or injured. From time to time, to be sure, youths were dragged onto stretchers and into ambulances – but there was no sign of anyone actually being shot, no-one falling under fire, no sign of any blood or injuries whatever. The nearest it got to an injury was a sequence in which a young man coyly pulled his shirt open a little to provide a glimpse of a neat red circle on his stomach, which he claimed was a (rubber?) bullet wound. But since he appeared to be in no pain whatever and was grinning throughout his turn for the camera, this seemed an eminently implausible way for someone who had just been hit by gunfire to behave.

 

There were many very strange things about this footage which just didn’t add up. When it came to the footage of the ‘killing’ of Mohammed al Durah, the following stood out:

• This sequence was not a continuous narrative but was repeatedly broken up and spliced onto footage of other scenes from the demonstration

• Although the France 2 cameraman had told a German film-maker, Esther Schapira, that he had filmed six minutes of the al Durah father and son under continuous Israeli fire, the footage of them lasted for less than one minute

• There was a camera tripod next to them

• There was no evidence of the boy actually being hit At one point, people in the crowd cried out that the boy was dead, while he was sitting up large as life clinging onto his father with his mouth wide open

• After he was said to be dead, he moved his arm (the sequence I have already reported which has been available on the web for years).

The Appeal Court is not due to give its verdict in this case until next February. As of today, such are the fresh contradictions and questions thrown up by the showing of this footage it would seem that France 2 has painted itself into a corner from which it will find it increasingly hard to escape.

 

But this scandal goes far beyond France 2. Soon after it transmitted the 55 seconds which showed the ‘killing’ of Mohammed al Durah, it helpfully sent various news agencies three minutes of the footage of this incident – including the frames in which the ‘dead’ child is seen moving, but which of course it had not broadcast. For reasons which invite speculation, not one of these agencies broadcast it either. Had they done so, there would have been no ‘killing’ of Mohammed al Durah and untold numbers of subsequent deaths would have been avoided.

It is therefore not surprising, but no less shocking, that with a couple of heroic exceptions the mainstream media has until very recently ignored the evidence suggesting that a monumental and deadly fraud was perpetrated here, indicators which have been around for years. As of today, the Karsenty case has been totally ignored by the mainstream French media. It is also deeply troubling that the Israel government ignored this evidence for seven years, that it is only very recently that its press spokesman Danny Seaman said the incident was staged, and that even now certain representatives of the Israel government are playing a most ambiguous role in defending their country against this modern blood libel.

 

The ‘killing’ of Mohammed al Durah was swallowed uncritically by the western media, despite the manifold unlikeliness and contradictions which were apparent from the start, because it accorded with the murderous prejudice against Israel which is the prism through which the Middle East conflict is habitually refracted. This scandal has the most profound implications not just for the media, not just for the Middle East conflict but for the western world’s relationship to reason, which seems to grow more tenuous by the day.

 

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© The Spectator

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