Triple Somersault for the Cameras

This performance is truly over-the-top. Note the long running jumps performed for effect and resolving into an acrobatic somersault, all performed for no apparent reason but to call the attention of cameramen and the traditional bevy of rescuers that characterize the staged scenes. Note the controlled roll, executed close to the ground. If the runner had been shot

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Casually Jumping into an Ambulance Uninjured

The action in this scene is completely anti-climactic. A man bicycles lazily by in the foreground. A boy wanders by with a red knapsack. The “victim” bounds under his own power into the ambulance. A few people start towards the ambulance as they see the back door open, but the expected ‘action’ never seems to gather any

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A successful call for attention ends with a clap and a smile

Directly in front of the Israeli position, a swarm of young men -who all seem completely unafraid of being shot by the Israelis -summon a host of cameramen and a U.N ambulance as they rush to “evacuate” another young man. The “rescuers” unceremoniously bowl over the evacuee in their exuberance – but pick him up and succeed in

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Different Camera Angle – Reuters footage of the Al Durahs from behind them by the barrel

This footage was shot by a Reuters cameraman situated behind the Al-Durahs by the barrel. It shows the broader context to Abu Rahma’s limited focus when filming the Al Durahs as they sit behind the barrel.

We can hear gunfire in the background but it does not seem to be coming from the Israeli position judging from the

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Another Camera Angle – Footage from an AP cameraman from behind the Al Durahs

This footage was shot by an AP cameraman situated even further behind the Al-Durahs than the Reuters cameraman (wearing a white and yellow “press” vest) who shot the footage in the previous clip. Also behind the barrel is the fellow we saw ducking behind the Al Durahs near the barrel in the previous clip.

This makes a total of

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